Raising a revolution against the lie

Hovstad. The majority always has right on its side.

Billing. And truth too, by God!

Dr. Stockmann. The majority never has right on its side. Never, I say! That is one of these social lies against which an independent, intelligent man must wage war. Who is it that constitute the majority of the population in a country? Is it the clever folk or the stupid? I don't imagine you will dispute the fact that at present the stupid people are in an absolutely overwhelming majority all the world over. But good Lord!--you can never pretend that it is right that the stupid folk should govern the clever ones! (Uproar and cries.) Oh, yes--you can shout me down, I know! but you cannot answer me. The majority has might on its side--unfortunately; but right it has not. I am in the right--I and a few other scattered individuals. The minority is always in the right. (Renewed uproar.)

Hovstad. Aha!--so Dr. Stockmann has become an aristocrat since the day before yesterday!

Dr. Stockmann. I have already said that I don't intend to waste a word on the puny, narrow-chested, short-winded crew whom we are leaving astern. Pulsating life no longer concerns itself with them. I am thinking of the few, the scattered few amongst us, who have absorbed new and vigorous truths. Such men stand, as it were, at the outposts, so far ahead that the compact majority has not yet been able to come up with them; and there they are fighting for truths that are too newly-born into the world of consciousness to have any considerable number of people on their side as yet.

Hovstad. So the Doctor is a revolutionary now!

Dr. Stockmann. I propose to raise a revolution against the lie that the majority has the monopoly of the truth. What sort of truths are they that the majority usually supports? They are truths that are of such advanced age that they are beginning to break up. And if a truth is as old as that, it is also in a fair way to become a lie, gentlemen. (Laughter and mocking cries.) Yes, believe me or not, as you like; but truths are by no means as long-lived as Methuselah--as some folk imagine. A normally constituted truth lives, as we say, as a rule seventeen or eighteen, or at most twenty years; seldom longer. But truths as aged as that are always worn frightfully thin, and nevertheless it is only then that the majority recognises them and recommends them to the community as wholesome moral nourishment. There is no great nutritive value in that sort of fare, I can assure you; and, as a doctor, I ought to know. These "majority truths" are like last year's cured meat--like rancid, tainted ham; and they are the origin of the moral scurvy that is rampant in our communities.

--Henrick Ibsen, An Enemy of the People

But isn't what we experience when reading the Hebrew Bible or the New Testament the same as when we read Homer, Shakespeare, Cervantes, or Proust? Isn't the difference between the scriptures and worldly literature only social and political? The centuries-long polemics on the contrasts between poetry and faith can perhaps be reduced to the question of whether we should consider one poem or story holier than another. I have long since come to the conclusion that we can say with certainty that any powerful literary work is holy. And the opposite claim, that it is worldly, is equally valid. But it would be completely senseles to consider any great literary work holier or worldlier than another.

Fantastic interview with Harold Bloom in Eurozine.

"I stated writing fiction as kind of an exercise," he said. "There wasn't always a melody lying around, and I was really paranoid about writer's block. I had never tried to write anything but songs because I thought, 'I have an eighth-grade education, so I can't write anything but songs,' but then I thought, 'the only reason I'm not totally ignorant is that I read a lot.' I wrote a story, and then another."

And Steve Earle's play Karla has opened in New York. Bruce Weber talks to him about the play, the death penalty, writing fiction in prison, and his marriage to Allison Moorer.

Block

I place one word slowly
in front of the other,
like learning to walk again
after an illness.
But the blank page
with its hospital corners
tempts me.
I want to lie down
in its whiteness
and let myself drift
all the way back
to silence.

--Linda Pastan, Carnival Evening

Claudie theatrically recounts his 36-day ordeal under the sofa after the introduction of terrorist kitten Ellie to the household: "And, and the worst part was: she kept peeking under there to look at me!"

I'm hoping he'll be back to form by Nov. 6 when he'll be needed to serve as a co-host for the 85th Carnival of the Cats. In the meantime, check out The Ark or Watermark for the latest and best pet blogging photos.

Roy in camp.

Me on Roy in the San Rafael Swell. If you squint you should be able to spot the Hondu Arch--it's located straight up from Roy's ears.

Me, H. and C. in Penitentiary Canyon.