I've repeated a review only a time or two in the seven years I've been blogging. But I'm dusting off this one from August 2006 (it was a Slaves of Golconda group read) because 1.) I've been reading H.G. Wells this fall; and 2.) I wanted to participate in the Dueling Monsters challenge.
Also, I don't normally respond as viscerally to a book as I did to The Island of Dr. Moreau. As far as I'm concerned, The Time Machine and Invisible Man can't hold a candle to it, and as far as Dr. Moreau himself goes, he's the biggest monster of them all.
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When I was pregnant with my son I developed preeclampsia. The doctors determined that they'd have to take him out two months early if either of us were to make it.
He spent his first month in a neonatal intensive care unit across town before being transferred to the hospital closest to us until he'd gained enough weight to leave hospitals altogether. A NICU is, of course, a miraculous place of care and compassion, but it is also a place where much pain is experienced.
S. fought against a respirator that insisted on forcing breath in and out at a rate to which his body didn't want to conform; with his face contorting in silent screams, he was continually pricked and poked for blood samples, then transfused with fresh blood when he couldn't make enough to keep up with the amount taken (the scars on his wrists and ankles from the blood-taking did not fade away for more than a decade afterwards). Repeat.
Wired, tubed, and for several days blindered, he suffered. The painful procedures continued until eventually we--doctors, nurses, parents-- could tell that he was not only going to survive, but thrive.
Not all the babies did. There were those of two or three years of age, still in no shape to live outside NICU, abandoned by their parents, depending upon volunteers and scraps of time from the nursing staff for a bit of human contact. And there were several who lasted mere hours or days before they died.
A nurse caught me finger-stroking S.'s tiny arm on one of my first trips to the NICU. Did I not realize how much pain I was causing him? she snapped. Because he had no fat stores, the lightest touch was an assault to the nerve endings just underneath his skin. She taught me to cup my hand around him and to keep it still.
A couple weeks later I saw a new mother stroking her baby the way that I had. I waited for a nurse to correct her, but no one said a word. I knew then that her baby was going to die. No one was going to deny her the bit of comfort she could gain from touching him, even if her touch caused him distress, because these moments with the baby were going to be all that she had.
As you've maybe gathered by such an introduction, I responded to The Island of Dr. Moreau on a very personal level. If a person, if an animal, is to suffer by someone's hands in a House of Pain, it had better be for a damned good reason.
Moreau, well regarded in scientific circles in London prior to the publication of a pamphlet that exposed his cruel methods of vivisection, left England for a private island in the Pacific where he could continue his experiments outside the strictures of society. By cutting and mutilating and grafting he molds an assortment of animals into a tribe of Beast People, teaching them rudimentary language and a form of religious law designed to keep them under his control even after he has turned them out for retaining undesired animal characteristics. Imperfection really bums the man out.
Each time I dip a living creature into the bath of burning pain, I say: this time I will burn out all the animal, this time I will make a rational creature of my own.
Moreau isn't driven to mold animals into human shapes out a desire to help either man or creature, but merely because he wants "to find out the extreme limit of plasticity in a living shape." Ethics are not of interest to him: "The study of Nature makes a man at last as remorseless as Nature," he claims. Pain is immaterial; it is animalistic; intellectual desire transforms others into problems to be solved, nothing more or less.
Doctor Moreau is, in short, as psychopathic as they come despite the god-like appearance and demeanor that Wells has given him.
Edward Prendick, our narrator, is no match for him. Because Prendick, a shipwrecked gentleman taking shelter on Moreau's private island, has dabbled in natural history and studied biology under the famed T.H. Huxley, Moreau eventually reveals the truth about his experiments to someone he assumes can appreciate them and will henceforth stop hindering his work due to silly behavior. Instead Prendick is horrified, but offers weak and minimal objection. He reminds me of a journalist who lands an exclusive interview and then is afraid to ask any follow-up questions to the canned nonsense he's given. Time and again I wished the narrator were someone like Patrick O'Brian's Stephen Maturin, someone who both understood the science and was willing to argue the ethics of a situation, to insist that being human means behaving humanely toward those not on your level. Someone who could at least read the Greek and Latin classics shelved near his hammock instead of revealing yet another skill he's lacking.
Poor brutes! I began to see the viler aspect of Moreau's cruelty. I had not thought before of the pain and trouble that came to these poor victims after they had passed from Moreau's hands. I had shivered only at the days of actual torment in the hands. But now that seemed to be the lesser part. Before they had been beasts, their instincts fitly adapted to their surroundings, and happy as living things may be. Now they stumbled in the shackles of humanity, lived in a fear that never died, fretted by a law they could not understand; their mock-human existence began in an agony, was one long internal struggle, one long dread of Moreau--and for what? It was the wantonness that stirred me.
Had Moreau had any intelligible object I could have sympathized at least a little with him. I am not so squeamish about pain as that. I could have forgiven him a little even had his motive been hate. But he was so irresponsible, so utterly careless. His curiosity, his mad, aimless investigations, drove him on, and the things were thrown out to live a year or so, to struggle and blunder and suffer; at last to die painfully. They were wretched in themselves, the old animal hate moved them to trouble one another, the Law held them back from a brief hot struggle and a decisive end to their natural animosities.
In these days my fear of the Beast People went the way of my personal fear of Moreau. I fell indeed into the morbid state, deep and enduring, alien to fear, which has left permanent scars upon my mind. I must confess I lost faith in the sanity of the world when I saw it suffering the painful disorder of this island. A blind fate, a vast pitiless mechanism, seemed to cut and shape the fabric of existence, and I, Moreau by his passion for research, Montgomery by his passion for drink, the Beast People, with their instincts and mental restrictions, were torn and crushed, ruthlessly, inevitably, amid the infinite complexity of its incessant wheels.
I'd like to read more H.G. Wells and I intend to return to this one again as well, possibly in a few weeks with S. My response to it next time may not be quite as visceral. Perhaps I'll see Prendick in a more appreciative light; he does makes an excellent narrator even though his passive nature infuriated me on my first reading.
