I convinced my husband to take me on a reading vacation way back in the mountains the first weekend in October; unfortunately it was right before the leaves began to change and there was enough rain that most of the reading had to take place indoors instead of under the 400-year-old trees in Joyce Kilmer Memorial Forest as I'd planned.
I read Tana French's latest and L. read Lorrie Moore short stories.
Perhaps I can get him to read a couple more today so that he can say he participated in the readathon.
I am quite blown away realizing that Dewey's 24-Hour Readathon, which started most humbly back in fall of fall of 2007 with just 37 participants, has 959 people signed up as of 7:23 am today.
Back in 2007, I began the very first readathon by reading Henry James' "The Turn of the Screw." Today I am starting things off with Caroline Gordon's The Women on the Porch. Gordon is an author I've been meaning to read for years and one I included in the last readathon I participated in, although I had so many books in my stack of possibilities that year that I never got around to her volume of collected stories.
I intend to do updates here, but not frequent ones. I haven't signed up for cheerleaders, so there really isn't a need.
And now I'm off to make some tea and give my cat his meds before the reading commences.
It's taken six and a half hours, but I've finished my first book, Caroline Gordon's The Women on the Porch. Published in 1944 and regarded as one of her best, it is exceedingly Southern. There are no dead mules in it, but let me just be cagey for a moment and say if there had been, Gordon's capacity for creatively killing them would rank up there with Truman Capote's. I will give away no more than that. But if you can tolerate casual racism and homophobia in your Southern lit along with its peacocks and Tennessee Walkers and moonlight trysts between cousins, do give her a try sometime. Her civil war novel, None Shall Look Back, is said by some to be a better novel than Gone With the Wind.
As for me, I've had enough Southern lit for the day and I'm turning by attention across the pond: hello, Hilary Mantel and The Assassination of Margaret Thatcher.
2nd Update
A belated midway report here, since I've been sidetracked by dinner and the "Am I being catfished?" article at the Guardian. . .
I have now completed my second book of the readathon, Hilary Mantel's The Assassination of Margaret Thatcher. I've now read a total of 558 pages since 8 this morning.
I really don't have a clue what I'm in the mood for next, so I think I'm going to pull books from the shelves and read first sentences until something grabs me.
Saturday, October 18, 2014
Thursday, October 16, 2014
Together again
I knew that it had been a good while since I'd been able to participate in a read-a-thon, but I had no idea that "good while" translated into five whole years. I was number 707 when I linked up yesterday and see that at least 800 readers are expected this time around. That's incredible.
My plans?
I intend to finish Penelope Fitzgerald's At Freddie's, currently in progress on my ipad.
First sentence: "It must have been 1963, because the musical of Dombey & Son was running at the Alexandra, and it must have been the autumn, because it was surely some time in October that a performance was seriously delayed because two of the cast had slipped and hurt themselves in B dressing-room corridor, and the reason for that was that the floor appeared to be flooded with something sticky and glutinous."
After that, my stack consists of Rufi Thorpe's The Girls from Corona del Mar, Hilary Mantel's The Assassination of Margaret Thatcher, and two Caroline Gordon's, The Strange Children and The Women on the Porch.
First sentences:
"'You're going to have to break one of my toes,' I explained." (The Girls from Corona del Mar)
"In those days, the doorbell didn't ring often, and if it did I would draw back into the body of the house." (The Assassination of Margaret Thatcher)
"At three o'clock in the afternoon the house became so quiet that you imagined that you could hear the river lapping softly at the foot of the green hill." (The Strange Children)
"The sugar tree's round shadow was moving past the store." (The Women on the Porch)
I feel most in the mood for trying Caroline Gordon. She was on my read-a-thon list five years ago and I didn't pick her up then, and haven't in the meantime. This oversight must be rectified.
My plans?
I intend to finish Penelope Fitzgerald's At Freddie's, currently in progress on my ipad.
First sentence: "It must have been 1963, because the musical of Dombey & Son was running at the Alexandra, and it must have been the autumn, because it was surely some time in October that a performance was seriously delayed because two of the cast had slipped and hurt themselves in B dressing-room corridor, and the reason for that was that the floor appeared to be flooded with something sticky and glutinous."
After that, my stack consists of Rufi Thorpe's The Girls from Corona del Mar, Hilary Mantel's The Assassination of Margaret Thatcher, and two Caroline Gordon's, The Strange Children and The Women on the Porch.
First sentences:
"'You're going to have to break one of my toes,' I explained." (The Girls from Corona del Mar)
"In those days, the doorbell didn't ring often, and if it did I would draw back into the body of the house." (The Assassination of Margaret Thatcher)
"At three o'clock in the afternoon the house became so quiet that you imagined that you could hear the river lapping softly at the foot of the green hill." (The Strange Children)
"The sugar tree's round shadow was moving past the store." (The Women on the Porch)
I feel most in the mood for trying Caroline Gordon. She was on my read-a-thon list five years ago and I didn't pick her up then, and haven't in the meantime. This oversight must be rectified.
Wednesday, October 01, 2014
You Are Not Special . . . and Other Encouragements by David McCullough, Jr.
by Wendy
Although the book is full of truths both timely and
necessary, You Are Not Special . . . and
Other Encouragements by David McCullough, Jr. violates one cardinal rule
for writers: know your audience. An expansion of his 12-minute high school
commencement speech (view it at https://www.youtube.com/watch?v=_lfxYhtf8o4),
McCullough’s book, as stated in the foreword, “[is] for teenagers and anyone
with an interest in them.” Aside from eating fast food and sleeping in, I can’t
think of too many things that appeal to both teens and adults, much less reading
the same book—even if it is a guide to living a life of engagement and
experience in a society that only recognizes accolades and achievements.
The author addresses the reader as “you.” Early on,
sentences like “You watch television, flip through magazines, explore the web,
hear what your parents and siblings and aunts and uncles and grandparents and
teachers and coaches have to say” make it clear he is talking exclusively to
teens. And I understand why: it feels more personal, and it is fitting in a
book that is an extension of McCullough’s speech to his audience of young
graduates at Wellesley High School, his audience that he addressed as “you.”
But his diction tells us otherwise. Using words like
ovine, vituperative, and lissome, which
are hardly in the hip pockets of the post-Millennials’ lexicon, makes this
otherwise instructive and worthwhile work a stumbling block to his intended
readers. In addition, McCullough uses long- ago cultural figures (i.e., Wolfman
Jack), politicians (i.e., Herman Mann), literature (“Richard Cory”), and other references
and allusions familiar only to some middle-aged and older adults and, most
especially, to English teachers. Which of course, McCullough is. But
his intended audience is not. (Although hats off to McCullough as a teacher if
his students have as rich a vocabulary and knowledge of literature necessary to
fully understand this book.)
Anyway, I’m not advocating that the book be dumbed
down. With the decline of reading and comprehension, writers and educators need
to work together to increase not decrease reading levels. I am all for
elevating our collective intellect; however, the book could have easily been
divided into three sections: one for teens, one for parents, and one for
educators and those who have the power/influence to improve/reform standardized
education. McCullough could still have used “you,” but tailored each section to
his intended audience, using appropriate words and references. After all, it’s
the message that matters.
And McCullough does have many good messages. He
writes on the hazards of overprotective parenting, the need for teens to know
who they are and to choose friends wisely, the joy of learning, and the
slippery slope of ” [confusing] net worth with self-worth” among other topics. For
example, he writes:
·
On parenting – “Any intercession, even
the feathery light, can come at a cost to the child’s emerging sense of
autonomy and the myriad benefits of fending for himself or herself.”
·
On teaching – “[A teacher’s] job is to
help [his or her] students recognize and value what’s best in themselves, then
to learn to build on it.”
·
On living – “Love everything.”
So if you’re
a teenager, watch the speech on YouTube. If you’re a parent, educator,
education administrator or politician, read the book. McCullough, drawing on
his years of teaching and parenting, has a lot to say that is worth not only
reading, but putting into practice and sharing with those positioned to enact change
in our schools, our communities, and our nation.
Just be sure to have a dictionary handy.
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